Saturday, April 26, 2014

Luciano Micallef

Luciano Micallef is the sixth child of Guzeppi and Kika Micallef, born on the 1st November 1954 in Birkirkara. As he said, he was always gazed and fascinated by the yellow of the delis, the blue of the stroke, the golden yellow of the marigold and the red of the carnations of color.

Luciano first started painting when he was nine years old and boasted of a wonderful collection at his parent’s home which he had made. In his work, Luciano shows a variety of paintings, that as a man shows many expressions of what is going inside him, and through his life, to show and create an argument between the viewer and the painting itself. Taking a brief look at the portfolio of this Maltese artist, one can tell that he expresses himself from different styles of painting by showing portraits of different people, human figures (mostly nudes) and abstract art by using unusual materials, such as waste materials which he collected from the garbage. Apart from painting on canvas, the artist shows his interest in a collection of fourteen sets of Malta postage stamps that he had designed between 1984 and 1996, Murals, and even Structures combining different materials. The influence of Micallef began in 1986 by committing himself to the abstract language. Luciano’s 
work has been inspired from the first half of the 20th Century, which were; Cubism and Abstraction that was organised by two artist of that time, Pablo Picasso and George Braque. By looking at the work of these two artists, one can tell that Luciano Micallef had been influenced by their work. 

The influence that Luciano took from this period of the 20th Century lead him to create and make interesting works by using and combing different types of materials and techniques, with different type of metal such as copper and stainless steel that are corroding by putting acids on them so as to create an artistic effect. These types of techniques are shown in many reliefs that he produced such as; And Life is About Death Too, Slow Down To Save The World, and Tolerance is the answer

Slow Down To Save The World, stainless steel / Plastic on
wood, 80x80 cm, Luciano Micallef,2001

And Life Is About Death Too. Stainless steel / plastic
on wood, 80x80 cm, Luciano Micallef, 2001

Tolerance Is The Answer, copper / stainless
steel on wood, 60x80 cm,
Luciano Micallef, 2001

These three art pieces which I have, chosen are made with the same technique, that of; using copper, stainless steel sheets and wood. Starting from painting the wood, for it to be used as a base then by using the stainless steel, Micallef creates a movement and to do so he used an acid or a liquid to create these types of coloured patches on the metal and finally adding a copper rod to decor it. When looking at this type of art piece, one can observe that the artist is using formal elements, such as Line to give a direction in the way that the metal folds and the copper rod are placed, moreover, a combination of Colour and Textures had been used to show contrast between the background and the stainless steel. Luciano has an extension of abstraction that can also be seen through some sculptural pieces that he worked on but as he says, he considers himself as a painter not as a sculptor.



Reference....

- Emmanuel Fiorention 2006, Luciano Micallef, Midsea Books Ltd, Bank of Valletta plc, 

Monday, April 14, 2014

Industrial Revolution


The Industrial Revolution which also began in Britain during the 18th century and it was spread too much in the Northern Hemisphere throughout the 19th and early part of the 20th centuries.

Also the advent of mechanized mass production heralded the transformation of Europe and its countries and also the North America. England was the place filled with series of events which changed the world.



THE BEGINNINGS OF THE INDUSTRIAL REVOLUTION

The reason why Industrial Revolution started in Britain is because it had the advantage to be a united country which is also stable in internal political situations, free from internal customs duties and with well-established banking and insurance facilities.
In the 18th century Britain become as a dominant international trading power. Many merchants had accumulated large sums of capital. England was the first country to pass from an agricultural to industrial economy and this period is consequently known as the Industrial Revolution.
The mainspring of the change was the discovery of a new source of power—steam.  At first this was used in mining and then it was taken to textiles factories, and finally it was applied to transport when the Railway Age opened in 1832.
As I am doing this, I thought to myself how can I imagine England in the middle  of the eighteenth century. I would imagine a picture, a landscape without railways and very few roads or canals. There were no coals mines in South Wales and Yorkshire. There were no big factories or mills or blast furnaces. Infect the chief fuel used at this time was still wood and charcoal. This was some expensive to employ in such industries as existed.
Thanks to the genius George Stephenson, the steam engine entered on its final triumph.
George Stephenson

Steam Engine by George Stephenson 

The Stockton-Darlington railway was opened in 1823. During the next decade railway lines were laid down with feverish energy and within two years it was invested a lot of money in contraction.


The Stockton-Darlington Railway

Now the English  landscape changed and the Industrial Revolution, as it is generally understood, was over and a new age dawned in which  England become the richest and the most powerful nation of the world.


THE INVENTION OF THE STEAM ENGINES

The production of cheap cast iron stimulated the invention of various kinds of machinery. By far the most important was the discovery of James Watt of a steam engine which could employed for pumping coal-mines. Steam engines were soon in demand for all mining districts in England and orders came from different countries, such as France, Russia and Germany
In my research I discovered that in the early days of railways there were many claims that a horse and carriage were faster than a train. One such claim was put to the test and in 1830 the horse and carriage won, though it was not long before speed of the trains increased

Later, Britain became vitally in other matters as in other powers, so as to provide markets and raw materials. The Development of the new technologies that depended on raw materials found mostly in remote places, example the motor car depended on oil and rubber, and copper imported from Africa and South America.
 It is the one of the great turning points in the history of civilization.

In my research about the Industrial Revolution I found such interesting buildings which were built by ordinary people. During the Industrial Revolution iron was used to make engines, boats trains and bridges.
Interested that the first bridges were logs, slabs of stone or intertwined vines of ropes across narrow streams. The Romans were the first great bridge builders. The sane types of bridges were built in Europe until the end of the 18th century, when iron and steel construction began. Infect the world’s first iron bridge was build at Coalbrookdale in England in 1779.

The Coalbrookdale Bridge

THE AGRICULTURAL REVOLUTION


In addition the Agricultural Revolution produce huge of profits for some farmers, so new schemes were to be financed at very low rates of interest. 

Farmers
The English farming was also undergoing a great change in this period. The smaller farms were unable to compete with improved but more costly methods of agriculture which required capital. Villagers, who had made use of common lands, lost their rights which they had held by custom from time to time. Gradually an army of unemployed was created and they naturally turned to the new industries that were in need of unskilled labor.
In addition the new mass of consumption of sugar,tea,coffee,cocoa and fruit led at the development of tropical plantations economies.


EMPLOYMENT OF CHILDREN IN WORKHOUSES

People in that era who had no money or couldn't work were sent to live in places called workhouses. These locations were like almost like prisons. Once you are in a workhouse this means that you have to work very long hours. It means to that it was hard to get out again. The sad thing was that families were split up hardly ever allowed to see each other.

It is strange and bitter irony that a period which vastly increased the wealth of this country should also have in testified the poverty of so many people. And because labor was plentiful it was cheap, and although prices rose steeply wages were virtually at starvation level.

Another sequel was the creation of workhouses, a large proportion of the inmate’s not which were children, they were taught a trade and then sent to the mills of Lancashire. There, were entirely defenseless and compelled to work long hours under strictly conditions.

Children Working in Workhouses 

WORKING IN THE MINES

The life of these people was not easy and they also believed that life can smile to them. In fact more than 6,500 coal mines in the United States, were small operations. More than 195,000 persons are employed directly in the coal industry.
Early coal mines were dark and dreadful places where men and boys worked long hours pick and shovel in damp, dusty cramped quarters. Woman and children were sometimes used to pull the heavy coal carts.



THE BEGINNING OF MASS PRODUCTION

Before the 1800 and the introduction of steam power in the English manufacturing, a factory ordinarily was defined as a commercial establishment under the absentee ownership and in charge of an agent. The beginning of the factory system largely replaced the cottage system in which workers made goods in their own tools although the materials were supplied by the merchant from whom the work was done.
The success of the modern factory was build on mass production
That means that the production of goods in large quantities.
So, with the coming of the industrial revolution, however things changes in their appearance. Inventors were active in the Textile industry. Weaving and spinning were handicrafts largely carried out in the homes of individual workers on a small scale. In the 18th century, a series of English inventions revolutionized spinning and weaving techniques. This made England the leader of the textile industry.   


During the centuries before written records primitive man invented the basic devices and such techniques that assured the future. These inventions include such things such as tools, weapons and traps. Also include the wheel, the raft, pottery, the marked stick for measuring and the ways of making fire and smelting copper and iron.
 Also without iron and steel the way of life of civilized people would be entirely different. These metals are used in thousands of ways. They serve everybody in homes, public, automobiles,    trains, ships, machinery, mines, farm equipment and also bridges and buildings.
In fact the unknown inventors who helped create the early civilizations of Mesopotamia, Egypt and other famous ancient lands invented improved tools.



THE MACHINE AGE

The invention of the steam engine started in the 18th century in England. This century designed for spinning, thread and weaving textiles. This opened the modern era of invention. The 19th century brought a steady stream of devices and processes that are today granted.

There is a saying that says “Necessity is the mother of invention”
This is often true because when there is a need of something new, or for an improvement of an existing device or process inventors in many parts of the world will begin working to fill that need. As a result of this , history has many instances of several men independently inventing different inventions.;


Inventors

Until the 20th century, most inventions were the work of individual inventors. Along the time as the technology become more complex, invention become more and more a group of effort financed by the government or such foundations.

FAMOUS INVENTORS

In fact the first  important  invention was John Kay’s  flying shuttle(1733) a device for moving the shuttle across the loom by a set of cords, instead of by hand. This made weaving so much faster that a yarn shortage soon developed.

John Kay
   The Flying Shuttle
Several inventors designed the spinning machines to replace the spinning wheel.
The inventor James Hargreaves invented the hand operated spinning jenny. He invented this about 1764. His invention was able to  spin a number of fine-but weak- yarns at the same time.

 James Hargreaves

 Spinning Jenny 

Reference...
- D.A Girling 1983, New Age Encyclopedia, Seventh Edition in Thirty Volume, Bay Books, Sydeny London.

- Walter Miller, ma, Litt, LL.D formely Deanof Gradate School and Professes of classical Languages and Archaeology University of Missouri, Walter Eckart, The universal World Reference Encyclopedia. 

- DE New Standard Encyclopedia Volume 4

- Virtue's, New Age Treasury, Volume1, A Pagent of History, London

- Usborne Publishing Ltd 2000, The USBORNE Internet- Linked Science Encyclopedia.  





Saturday, April 5, 2014

Cubism and Abstract

4th April 2014

Cubism was a revolution in the first half of the 20th Century that occurred in the practice of art. another word for Cubism is called Non-Objective Art.


Early Cubism
It was an important movement at the beginning of the 20th Century that was originated by two famous artists of that time that are Pablo Picasso (1881-1971) and the Frenchman George Braque (1882-1963)... Who are they..... ?? 


Pablo Picasso (1881-1971)

He was born in Malaga,Spain 1881, but he lived most of his life in France. he started to learn drawing from his father, Don Hosei, that was an art teacher. he wanted Pablo to discover the world of art to improve Picasso's natural talent. in 1900 Picasso left Spain and moved to the world of art (Paris), during this time Pablo painted several works that are important works such as; The Old Guitarist (1903) from his Blue Period (1901-04) and the Softer Description of Circus People from his Rose Period (1905-07). Cubism was being developed. A part from painting Picasso was a sculpture too. These sculptures was mainly made from founded objects that most of them were rubbish,that were imaginatively transformed. Most of Pablo Picasso's work and style were based on the famous works by Velasquez, Rembrandt and Manet.


George Braque (1882-1963)

This artist was a colleague of Pablo Picasso, together the founded the world of Cubism and Abstract. Braque was obsessed by the two formal elements that he used in his painting that are Shape and Form, by ignoring traditional perspective. Even in his painting he used a technique called Passague'. This technique is done by using a simple palette, mainly with natural colors, ignoring the positive an negative spaces and create a movement with shadows that moves like this.. Light ans Dark... and keeps repeating the same way. a good example of this technique is shown in the painting that he did called The Chateau De La Roche-Guyan (1909). Together Braque and Picasso developed the Cubist movement not only painting shape and form but also painting figures in an Abstract way and eve creating a collage. Basiclly these two artist started the era of Modern Art.

They were the main artist of Cubism and Abstract, that together started to breakdown objects into their Geometrical Shapes. In their work the main subjects were taken from the Cafe in Paris that consists Still Life and Portraits.
The Cubist were also inspired by the recently discoveries of the African Negro Masks, that were used by African people. A painting that Picasso produce with this inspiration of the African Masks is called; Les Desmoiselles D' Avignan (1907). In this painting Faces are painted into a simple, masks- like forms.

Les Desmoiselles D' Avignan , 1907

Late Cubism
Between 1909 an 1913 Pablo Picasso and George Braque were still working together. Eventually their paintings started to develop in their techniques by producing abstract paintings. at that time these were done by using color and line. Abstract started to be developed while artists began to add real words by cutting and adding pieces of newspaper on their canvas to create an abstract work ( collage). Even they were lating actual textures such as; wood, metal, plastic and even fabrics. Brighter colors were used on their canvas, that was known as synthetic cubism. At that time important artists were being influenced from Pablo Picasso and George Braque's work.

Artists that were influenced in that time......

Robert Delauny ( 1885-1941)
Juan Gris (1887-1927)
Fernand Leger (1881-1955)

 Cubism and Abstract Before World War 2

In 1910, there was a great emphasis on color and form rather then a subject. Many different artists from many different countries that moved towards Cubism and Abstract Art. A famous artist from Russia Vassily Kandinsky (1866-1944) introduced Abstract trough Expressionism. This artist was a member from an independent group  that gave German Expressionist further that was called Der Bloue Reiter ( The Blue Rider ), that was formed in Munich in 1911.
Der Bloue Reiter ( The Blue Rider ) Group Munich 1911
Piet Mandrian (1872-1944) was another artist from Holland that developed through Cubism and abstracting forms. A painting that this artist produced is called; Combination With Red, Yellow and Blue.

Combination With Red, Yellow and Blue, Pier 1921
In this painting Mondrian used his artistic vocabulary to combine horizontal and vertical lines and a palette of, Black, White, Grey and the use of the Primary Colors.



Reference.....
- Ian Crofton 1990, The Guinness Encyclopedia, Gunness Publishing Ltd,1990, The Visual Arts, Cubism and Abstraction

- Alastair Sooke, Modern Masters - Pablo Picasso. [video online] Available at: https://www.youtube.com/watch?v=FBrY1vpwPhU [Accessed on Dec 7, 2013]

- The Forger's Masterclass, Ep 06 George Braque, [ video online] Available at: https://www.youtube.com/watch?v=rejhieJL4CQ [ Accessed on April 22, 2012]